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Can Nollywood Clinch the Number One Spot in Moviedom?
What was the answer that came to mind when you read the title of this piece? Whether the repetitive response to said progression was one of negativity or a deep sigh embedded in a quiet, thoughtful projection into the future. You traveled through time and space, saw the opportunity to defy the odds. Bravely in the face of industry progress, and recreational vitamins, the tested and proven multi-progression multi-vitamin formula high dose injection, discovered from the product of years of research in the industry, then you declare that it is possible!.
Whichever schools of thought you choose, the truth is that Nollywood still has a lot to catch up on in terms of “quality” and not quantity productions. Does Nollywood have a dream to raise its flag above others, to place Africa at the forefront of film productions in the world? However, it is essential, essential, important to understand why Hollywood and Bollywood have a huge advantage over Nollywood.
The fact is that the first feature film in the field of Hollywood was made in 1914 called “Squaw man”, ironically, the significant analytical year of our historical stay, when Lord Lugard united the protectorates of the North and the South, to give birth to the great. The nation “Nigeria”.
Over the years, Hollywood has grown into a multi-billion dollar industry, largely due to the creation of well-defined “operating” structures. The genres of films on offer have blossomed from the usual stereotypical classes to an infusion of more liberal ones such as action, comedy, romance, thriller, sci-fi, violence, adventure, crime, suspense, drama, family, musical, horror, fantasy, animation, mystery , film noir. There is definitely something for everyone, even children can enjoy the beautifully scripted and well-executed animated films, reliving the countless fairy tales that were once bound to the pages of storybooks. Talking animals, creative products such as Cats and Dogs, Racing Stripes, The Chronicles of Narnia: The Lion, the Witch and the wardrobe have provided viewers with a memorable viewing experience.
The big players in the industry have “backlot” studios that also shoot movies, and use the synergies that arise from their ownership of certain print and electronic media to consolidate their financial profits. Theatrical releases are considered sacred and appropriate, en route to a first box-office hit, before regular releases with continuous trailers, owned by functional theater chains spanning more than 30,000 screens across the US. Moviegoers come in eager to see moviegoers to satisfy their movie thirst. The action brings back millions of dollars for filmmakers, thanks to a well-structured film distribution system that ensures free legal access to these films.
Films are also seen on other continents, distributed to English-speaking countries, dubbed with voice-over by actors from English-speaking countries or simply subtitled. Access to these films for home enjoyment, months after the theatrical experience, is provided through DVD purchase, rental, and legal broadcast of the film on television channels. Low-budget films are not left out of the picture, as DVDs are released to the public directly after production. The financial power to make big-budget films is based mostly on the careers of producers, directors and actors by banks, companies and wealthy investors, especially on the reputation of those responsible for taking the lead roles.
Perhaps what Hollywood stands for is the blend of sophisticated advanced technology with a well-crafted story, great actors, resulting in high-quality films. The powerful modern use of “CGI” (computer generated images to create unimaginable special effects), visual effects, beautiful cinematography, incredible scenes and scenes, the use of 3D technology, clear audio without sound interference and high quality output have been positioned. before the package Rated actors are highly paid and smile to the banks with millions of dollars. The presence of several well-structured organizations on the ground, such as Writers Guild of America, Motion Pictures Editors Guild, Motion Picture Producers and Distribution of America, Motion Picture Sound Editors, Motion Picture Photographers Association, National Organization of Theater Owners, Film Editors of America, Society of Cinematographers of America , Casting Society of America, Directors Guild of America, Producers Guild of America, have supported their dominance and promoted unity among members of the same group.
It can take months, and even years, to properly plan, secure financing, and execute all the pre-production phases of a film production well, especially with the implications of a production shack. Hollywood does not shoot movies in twelve days or less like its Nollywood counterpart.
India’s first film was released on July 7, 1896, but its industry was born on May 3, 1913, with “Raji Harischandra,” a silent feature film by Dadasaheb Phalke. Alam Ara broke silent cinema in 1931 and with legends like Dharmendra Singh Deol, Amitabh Bachchan, Hema Malini and Jeetendra with many great actors, in 60s-80s they had hits like Sholay, Amar Akbar Anthony, Johnny Mera. Naam, Seta Aur Geeta, The Burning Train, Bobby, Kabhi Kabhi, Dharamveer, among others. Today they operate in the shadows of Nigerian Hollywood.
Bollywood’s popularity has continued to rise, opening new markets and doors of opportunity, which has led to better quality productions, breaking away from the usual stereotypical wedding stories and boasting good cinematography. Also, opening more Theaters in their country has enabled them to record box office hits. A blend of western dance styles with technological beats has been incorporated into their dance and millions of dollars (not rupees) are spent to make big budget films sourced from major studios and private distributors.
When it comes to special effects, the realization and drive to keep up with their Hollywood counterparts has been the hiring of the necessary field experts from the US to execute them, which has helped expand the wider genre of films to be made. Filming in other parts of the world, such as Europe and other areas, seems to be the norm making waves among filmmakers there, especially with the box office success of films shot there.
The story of Nollywood is not well known to Nigerians, having sprouted in 1992 with the critically acclaimed film “Living in Bondage”. However, we must not forget that there were Nigerian films shot on celluloid before this time. In one of my articles entitled “Nollywood: Origins and Unsolved Problems”, I reported on the many problems that plagued the industry from the colonial days of the Nigerian film industry, from the “Golden Years” to the Nollywood era. .
Financial and distribution issues, recycling old faces, watershed plots, Hollywood movie simulacrum, low audio and visual quality production, insipid storylines, high preview rates, ear-splitting soundtracks, narrow genre-choice films and standouts. lack of special and visual effects, piracy, are some of the problems the industry has been struggling to overcome.
A lot needs to be done to restore the confidence of Nigerians in the Industry. We could go on and on, moan and complain about the delays, inadequacies the industry is facing, even though Nollywood stakeholders and friends have repeatedly come up with solutions. There is still the question of whether practical steps have been taken to implement well-thought-out strategies that would correct the problems, fill the gaps and set it on the right path to Nollywood Glory.
Nollywood still retains a large percentage of their shibbolethian ideology and has been on the high seas for a long time, constantly being attacked by pirates time and time again. It’s time for the Industry to put its house in order, throw out the prosaic films and change its course skillfully guided by the compass of cutting-edge technology. There are new heights to be achieved, so where are you in Nollywood?
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